Maxime Prananto runs a design practice of interventions in architecture and art spaces.
It deals in the simultaneous design and production of objects, scenography, furniture, exhibitions and sculpture. While its output is varied, each undertaking relies on a voluntary set of conceptual and physical boundaries. Underlying themes of the practice include manufacturing, logistics and iconography in the built environment. The attempt within the practice is for work to materialize intelligently within certain circumstances and references without the result of a self-intelligent work.
In this sense, the aim is to be neutral and to propose a matter-of-factness about the conditions in which work is being made. Nevertheless, all interventions reflect a sensitivity to the beauty of constraints and gather meaning throughout the entirety of their process.